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    daya 6:49 pm on October 29, 2010 Permalink | Log in to leave a Comment
    Tags: Literary theory, the intellectual   

    Literary Theory and the Intellectual 

    Reading Gramsci and West for this course was my first time to hear about their specific ‘intellectual’. For me, and for many others too I assume, an intellectual is a person who is smart and uses his intellect to achieve things, mostly new things, voicing them privately. On the one hand, this idea of an intellectual touches on Gramsci and West’s ideas of an intellectual, because of the creation of new things or ideas. But on the other hand it is different, because both say that the intellect is not what makes them an (organic) intellectual. Everyone is an intellectual, but the intellectuals that they are talking about, stand up for something they find important and make people aware of them. Therefore, the intellect is not the most important characteristic of an intellectual, but the willingness and ability to stand up for the ideas. These intellectuals, as it were, enter this idea into history.

    At first I found this idea of an intellectual without intellect (or at least one without the need of an intellect) hard to grasp, but when reading more theory and reading Mosley’s The Right Mistake, I started to understand what could be valuable about such a person. As we discussed in class, the main character of The Right Mistake, Socrates, is here introduced as a sort of Jesus, and it is immediately clear what West and Gramsci mean with the idea of an organic intellectual. Socrates organises a school for anyone who wants to learn. This is something new and it spreads Socrates’ idea that everyone should be able to learn if they want to. This idea – and Socrates’ actual realisation of it – makes, in the end of the novel, the court clear Socrates from all charges.

    As I was reading other students’ essays, I came across a lot of people who were saying that knowledge alone is not enough, just as experience alone is not enough. De Certeau’s know-how is something new that develops when knowledge and experience are combined. This idea fits nicely with what Gramsci and West say about the intellectual. They have to combine their knowledge and experience to bring to light something that has been suppressed or has been kept out of the public’s knowledge. The intellectual’s job, or the “function of the intellectual” is thus to make their idea public knowledge, as Socrates does in Mosley’s novel.

    I found West’s explanation of why there are so many more white intellectuals than there are black ones a bit problematic. He says that it is difficult for black students to be taken seriously when choosing to study a science like literary theory than if they would for instance study law. But who says that this doesn’t count for white people as well? I cannot even begin to count how many people have (sometimes sarcastically, although trying to hide it as to not hurt my feelings) asked me what I will expect to achieve with my choice of study. They all agree that languages and literature are interesting, but none of them seem to be able to think of a way for me to make money with it – as if that’s the most important thing in the world. This joins my further incomprehension of why reading a Dickens novel would be more useful than to read for instance a James Bond novel. Both can be regarded through the same critical and theoretical frameworks and both are part of literature as a whole. I think people are still much too much attached to the idea of a canon, and that anything outside of the canon is not worth reading, as is for instance James Bond and most of the literature written by black people as well.

    I think that the question of why literary theory in general – and within that, contemporary literature – is regarded as so much lower than other things to study is more important than the question of why black intellectuals are regarded with less seriousness when they choose this kind of study. Or perhaps I am just too narrow minded because of my rooting in literary theory.

    Bibliography:
    De Certeau, Michel. The Practice of Everyday Life. California: University of California Press,
    2002.
    Mosley, Walter. The Right Mistake. New York: BasicCivitas: 2008.
    West, Cornel. The Dilemma of the Black Intellectual. Cambridge: South End Press, 1991.

     
    • Avatar of Jeroen

      Jeroen 11:08 am on October 31, 2010 Permalink | Log in to Reply

      I think it’s not so much a question of finding differences when it comes to the low regard that exists for both literary theory and black intellectuals, as of finding the similarities. Discrimination against an area of study or a group of students are to me comparable on a theoretical level as they are both up against a set of dominant discourses that focus on excluding certain groups.

    • Avatar of FlorisPieterse

      FlorisPieterse 7:44 pm on November 2, 2010 Permalink | Log in to Reply

      Hello Daya,

      I too have had my strong moments of doubt as far as the “importance” of literature studies in comparison to other fields of knowledge taught at universities. And of course once we get past the question of “Is literature worth studying?” we enter the debate of “Which literature is worth studying?”

      In my opinion it all depends on the context you’re analyzing something in. For example, a James Bond novel would be very interesting to analyze in a cultural or structuralist context, but much less so in a psycho-analytical context (the obvious exception being the over-use of phallic symbolism).

      As for black students and literature studies, West’s argument makes quite a bit of sense to me. Whether we like it or not, large portions of the black population of many well-to-do western countries come from a poor background. I can definitely imagine this creating a feeling of responsibility among black kids with a real chance at a university education to go for something that is guaranteed to land them a well-paying, well-respected job.

      This is all just speculation of course. Maybe I’ve just been watching too many movies.

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      rene 12:09 am on November 4, 2010 Permalink | Log in to Reply

      I agree with both Floris and Jeroen. The importance of literature studies depends mostly what it is you want to achieve and in which culture you are situated. The same goes for a group of students. I’m sure that if I went to Iraq to study Christianity, people would question my motives. So, being an ethnic minority getting involved in studying a ‘semi-important studies’, people will probably tend to take you less seriously. That is probably because people expect to see people from a poor background study something that will get them a decent job – meaning a well paying job.

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      mickeypotthoff 12:12 pm on November 5, 2010 Permalink | Log in to Reply

      An interesting essay as a whole, but I had to pick out the last part as the ”highlight” as this characterises and almost epitomises my thoughts on the importance of literary studies. I myself attach quite a lot of value to a canon, but this value has, I must admit, deteriorated somewhat ever since doing an academic course on the same James Bond you mentioned. I too, am now beginning to somewhat question the canon. However, I still think it is an important tool which should not be abandoned in favour of a literary landscape with no classics at all.

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    daya 12:05 am on October 24, 2010 Permalink | Log in to leave a Comment  

    “There used to be a time when we knew. We used to believe that when the text said, ‘On the table stood a glass of water,’ there was indeed a table, and a glass of water on it, and we had only to look in the word-mirror of the text to see them. But all that has ended. The word-mirror is broken, irreparably, it seems.”

    (Coetzee 19)
     
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    daya 10:24 pm on October 16, 2010 Permalink | Log in to leave a Comment
    Tags: blues,   

     
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    daya 1:42 am on October 15, 2010 Permalink | Log in to leave a Comment
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    Literature and Language: the way in (for understanding other cultures)? 

    I believe that, as Goethe says, reading literature written in a different country than your own will increase your knowledge and probably even appreciation of the culture of this particular country. It might be impossible to create world peace this way, but it might still be a good way to start. Of course, there is the matter of mistranslation, but, as Goethe puts it, “it is, after all, these relations between original and translation which are most expressive of the relations of one nation to another, and which should be evaluated and known above all for the benefit of the dominant general Weltliteratur” (Goethe 6). Also, since language is part of a people’s culture, we can establish that language is important to understanding cultures.

    I have always been interested in languages. I started speaking English when I was five years old, and it was of no big surprise to anyone who knew me that I was going to study English. I also got interested in other cultures, and one in particular (although I am not quite sure if it is accurate to say this country only has ‘one’ culture): that of India.

    I first visited India at the age of sixteen – five years ago – on a holiday with my parents. I immediately got fascinated: the bindi’s, architecture (Taj Mahal, The Golden Temple), art (paintings and statues of Hindu gods, Buddha and the Dalai Lama), and religion (Hinduism, Buddhism and even Catholicism (in Goa, which was until not too long ago colonized by Portugal)). Also other things that seem strange to us: the holy cows and the dancing and singing in Bollywood movies, it all fascinated me. What got to me the most, beside the amazing countryside and the incredible food, is the people. Their behaviour: they are friendly, hospitable and genuine interested in learning about other cultures, and their languages: among others Hindi (and English as a second language).

    My parents were the ones that made me visit museums and see artsy films, they were the ones who took me with them to Asia, and my mother was the one who actually introduced me to English when I was five, and I did not really have a choice in the matter, or in any of these matters. But, is that a bad thing? They did not force me to like it (even though, of course, I did not immediately enjoyed everything), they merely gave me a push in a certain direction. They did make me into the person I am today. Is it a bad thing that parents – or teachers, in the case of Dead Poets Society – give children a push in a certain direction? Is that not part of education? The only thing that I think is important, is that parents, as well as teachers, give them a choice. Of course, every teacher (and that includes parents) has their own opinions and preferences, but that does not mean that they should urge their students to think in the same way, merely to think for their own (and I think John Keating – and my parents – did a pretty good job of that).

    Ever since I visited India (the second time I was there for three months) I have wanted to learn how to speak and write Hindi. Last year I wanted to apply for a semester of Hindi in Delhi, but unfortunately that was not possible for foreigners, so I applied for a semester of comparative literature in Calcutta, which, in hindsight, might have been an even better choice. Unfortunately, this also did not work out, but I am determined to somehow come closer to India’s culture(s) through literature and language.

     
    • Avatar of winonah

      winonah 6:42 pm on November 5, 2010 Permalink | Log in to Reply

      Een erg interessant essay. Je hebt in ieder geval mijn interesse voor India weten op te wekken. Verder weet ik niet of ik het met je eens ben waar je zegt “Is it a bad thing that parents – or teachers, in the case of Dead Poets Society – give children a push in a certain direction? Is that not part of education?” Ik vind het geweldig dat je ouders je mee hebben genomen naar Azie en je met een andere taal in aanraking hebben laten komen maar ik zou dat niet omschrijven als een duw in een bepaalde richting. Meer dat ze je bepaalde dingen aanreikten waar jij vervolgens besloot om iets mee te doen. Maar “give children a push in a certain direction” klinkt voor mij heel anders en is naar mijn mening geen educatie. Als iemand een richting opgeduwd wordt, wordt hij juist de kans ontnomen iets te leren. Keating laat zijn studenten zien dat er ook andere opties zijn dan ze tot dan toe gewend zijn waardoor ze de kans krijgen voor zichzelf te denken, maar op de momenten dat hij ze een bepaalde richting induwt (zoals bij het verplicht verscheuren van de inleiding van het boek) neemt hij ze dit naar mijn mening juist af.
      Verder succes met je India plannen, klinkt leuk!

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    daya 12:12 am on October 10, 2010 Permalink | Log in to leave a Comment  

    “The real “other” of Cultural Studies is not Area Studies but the civilization courses offered by the European national language departments, generally scorned by Comparative Literature. It is therefore a real sign of change that the Ford initiative, as reflected in the Volkman pamphlet, seems to bring together Ethnic/Cultural Studies and Area Studies.”

    Spivak (8)
     
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    daya 12:09 am on October 3, 2010 Permalink | Log in to leave a Comment  

    “I think a good many people have a similar desire to be freed from the obligation to begin, a similar desire to be on the other side of discourse from the outset, without having to consider from the outside what might be strange, frightening, and perhaps magnificent about it. To this very common wish, the institution’s reply is ironic, since it solemnises beginnings, surrounds them with a circle of attention and silence, and imposes ritualised forms on them, as if to make them more easily recognisable from a distance.”

    Foucault (51)
     
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    daya 8:33 pm on September 25, 2010 Permalink | Log in to leave a Comment  

    “The will to the essence of the German university is the will to science as will to the historical mission of the German people as a people that knows itself in its state. Together, science and German fate must come to power in this will to essence. And they will do so if, and only if, we – this body of teachers and students – on the one hand expose science to its innermost necessity and, on the other hand, are equal to the German fate in its most extreme distress.”

    Heidegger (471)
     
  • Avatar of daya

    daya 7:51 pm on September 11, 2010 Permalink | Log in to leave a Comment
    Tags: carrière voorbereiding, eeuwige student   

    http://www.volkskrant.nl/archief_gratis/article840866.ece/De_eeuwige_student_is_niet_meer

     
    • Avatar of jetvangroningen

      jetvangroningen 11:41 am on October 3, 2010 Permalink | Log in to Reply

      Academische vrijheid, de student die ellenlang over de studie doet omdat deze lui is of nog niet klaar is voor het onzekere bestaan van afgestudeerde. In het licht van de duizenden studenten die op een nutteloze manier jaren besteden aan het studeren, valt te verdedigen dat de universiteit keuzes moet maken die wellicht nadelig zijn voor de eeuwige student. De universiteit is genoodzaakt keuzes te maken om geld in het laatje te brengen. Maar als de intelligente, gedreven student hierdoor niet meer twee studies tegelijk kan doen (of twee masters, of een extra minor etcetera), dan is dat toch eigenlijk te gek. Het is een scheef idee dat je meer moet betalen, wanneer je het in je mars hebt om meer op je te nemen. Ik vind het echter moeilijk om te bepalen waar dan de lijn getrokken moet worden… dubio..

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